cecilysass:
dunhamhairograpy:
‘Never Again’ revised script notes…. Mulder’s inner monologue 😭💕
Her life has become his.
There it is. Definitive.
So I have a question for @randomfoggytiger and all the other smart analyzers out there.
In the directions here, what do you all really think is meant by the second to last line? “If it were ever going to happen, it would be now.” If WHAT were going to happen? What’s that referring to?
Is it a reference to MSR (as it kind of seems like it could be)? Or to having a real conversation? Or what? I’m just curious what people think. Every time I reread it I become less certain.
I did a little writeup on the episode here if you’re curious; but reading it is completely unnecessary, and my thoughts below should cover it.
If I recall, Morgan and Wong wanted Season 4 to create distance between Mulder and Scully because of that throwaway line: Scully, seeing that Mulder won’t act, won’t reassure, won’t say that “it’s my life, too”, feels second to the quest and withdraws. It’s not until the finale that Morgan and Wong would have reconciled them and, if I recall correctly, taken their relationship in a new direction.
As much as Scully denies her actions aren’t “about you” to Mulder, Never Again isn’t solely about daddy issues or feeling trapped– it’s feeling trapped by being second best. Romance was explicitly written into the dna of this episode: she takes the rose from the grave– someone’s lasting legacy on their loved one’s life– extrapolates meaning from it behind Mulder’s desk, and deflates when Mulder runs off to his vacation that even he rates as secondary to his quest (Mulder missed her entire point: needing his reassurance and reinforcement, needing his speech in the FTF hallway; and Scully missed that he missed it.) When she meets Jerse, she’s flattered by his sole focus on her, takes his card, but still plans to leave; Mulder has been calling, but when he reconnects and hides the fact he missed her behind “how’s the quest going?”, it kicks Scully in the shins and she decides to change plans and meet up with Ed. “The tattoo you deserve” and one night stand with Ed drags down Scully’s view of herself, in hindsight– how did she not see that he was psychotic?– and the final scene in the basement is tinted with second guesses of her own character: more specifically, what Scully thinks she has the right to ask from Mulder, doubting her own judgment (a theme she continually struggles with throughout the series.) If she sits and remains in the basement, Scully has to accept that Mulder won’t move them forward; and she does, choosing to be Starbuck to this (in her perspective) doomed (relation)ship because at least Mulder needs her… which is why The End and Fight the Future hit her so hard, convincing her she has no use in his life, period.
It’s not until Mulder’s “you made me a whole person” speech that Scully starts to push harder, again, for more: “settle down, live something approaching a normal life” in Dreamland, her speech in Rain King, her romantic crisis in Milagro and open flirting in The Unnatural, and her outright hostility and jealousy– undisguised– with other women (Kersh’s secretary, Diana Fowley, Karin Berquist) form the backbone of S6.
Everything and everyone else being second best– including Scully– to Mulder’s newest hyper fixation is a Morgan and Wong episode staple (or can be read into most of them): even in One Breath, M and W wrote Melissa Scully in to be a romantic option for Mulder (which, if I recall, Chris Carter nixed. Obviously.) Even Home, their shippiest episode (so to speak), deconstructed the happy ending Mulder wanted and Scully was, not-so-subtly, working herself into. Not only that, but there’s a clear moment in Home where Mulder himself barricades the door between their two motel rooms (not trusting a broken lock and his daydreams of a normal life in this seemingly idyllic small town, yes, but also explicitly setting up barriers even when there are none.)
To conclude, the line definitely meant romance, or the realization that there would be none because Mulder won’t act on it; and because Scully, as a person, needs to feel appreciated, sought after, and first place in someone’s life– hence her “was he proud of me?” with her father, hence her attraction to Ed Jerse, hence her almost return to Daniel Waterston– and because Mulder is in (at this time) no place or headspace to actively pursue healthy romantic attachment (limiting himself by his search for the Truth) he stops talking, she gets it, and they coast.
That’s why, personally, I like Leonard Betts after Never Again: just when Mulder and Scully recalibrate– him choosing a case directly tied to her expertise (likely for her sake), she feeling in her element and vital to the work– bam, cancer.
Those are my thoughts, anyway~.